Why Brittany Murphy's alleged spiritual messages are reportedly fake?

BRITTANY MURPHY IN HER FINAL MOVIE, SOMETHING WICKED, POSTHUMOUSLY RELEASED IN 2014.

So much people was noticed about the alleged messages attributed to the spirit of the late actress Brittany Murphy.

She died at December 20 2009, sunday morning, being only 32 years-old.

Brittany was known by movies like Clueless, Just Married, Uptown Girls, Drop Dead Gorgeous and Sin City, and she was also a singer and voice actress, famous by her acting voice to King of the Hill animated series.

Apparently, her early death is a unsolved mistery, but the clues (what the irony) sent by The Hollywood Reporter story bring keys about the falsehood of her alleged spiritual messages sent by supposed psychographies.

Why the psychographies are so false? Because they always were guided by the sensationalist sight about Brittany Murphy exhaustively explored by the yellow press.

The Hollywood Reporter story about Brittany's last days of life and the aftermath involving her husband, british screenwriter Simon Monjack, says so much about the falsehood.

First, the story indicates that Brittany should have been poisoned. In 2013, her father Angelo Benedotti, aka A. J., said that should be killed by poisoning by a "third part".

We don't believe so much. There's other clue: Simon was a cocaine addicted (Brittany wasn't; he insisted to affirm, several times, that she wasn't a drug addicted) and he was indebted to drug dealers.

Simon also had two children, each one from his previous relationships with former girlfriends. He was using Brittany's money account to take money to sustain them.

Simon, desperately, wished to get Brittany Murphy's heritage and, in a night, he made sex and sleeped with his mother-in-law, Brittany's mother Sharon Murphy.

Simon harassed Sharon to convince her to include him in her daughter's alleged testament.

Evidences suggest that Simon killed Brittany. He died some months after, in May 23 2010, by the same way Brittany Murphy died, for rat poison dumped into a glass of water.

There's reports about Brittany's half-brothers declaring to be so furious to Simon, and the english screenwriter had his personal computer arrested to police experts to be examined.

One of Brittany's siblings (she had a sister and two half-brothers), her brother, has said that he didn't seem her personally since 2001 and he claimed he was revolted for her death.

So scared, Simon Monjack should be killed himself, being only 40 years-old in his death day.

Brittany's alleged spiritual messages don't match the reality.

In the spiritual messages, we see a "Brittany Murphy" prisioned to her own tragedy, as she was being the hostage of her own death.

Brittany Murphy, probably, got rid of the United States, scared and troubled about her life's ending.

She should be the first person who was tired to listen "RIP Brittany" every single moment.

The "RIP Brittany" is a very-exhaustively diffused expression that there's a gag that suggests to Brittany's changing name to Rippany Murphy.

When Brittany died, she probably was immediately split from Simon Monjack. Evidences indicates that Brittany and Simon had strong feud in her final couple of weeks.

Simon had serious problems. In the couple's last travel, going to Puerto Rico because Brittany had to meet The Caller's movie producers to negotiate her hole in this suspense movie, Simon was seen very drunk and with scandalous behaviour.

In the travel back to USA, Simon almost died by a heart attack, but he should be cured of that.

That's the secret reason about the reffuse to Brittany get a main role in The Caller, given to Rachelle Levefre: the scandal made by Simon when he was drunk in Puerto Rico.

Officially, Brittany was reffused to play the movie for "artistic differences" between her and The Caller's producers.

Simon's bad fame - in England, he was arrested by financial default - influenced to Brittany get losing some roles in Thinkerbell 2008 movie and Happy Feet 2

The two annimated flicks, which would have Brittany as a voice actress playing the role of Thinkerbell and reprising her Gloria role in Happy Feet 2006 movie, wouldn't accept a problematic actress to be voicing in films dedicated to the child audience.

The Simon Monjack's personal curriculum would made Brittany to be a bad example to the worldwide children, according to the two movies producers.

Spiritual messages attributed to Brittany Murphy, besides not bringing those informations, was sent against the Allan Kardec's teachings.

The Universal Control of Spirits Teachings recommend to check a spiritual message asking to different mediums, living so far between themselves and got no relationship about them, to call the spirit manifestation.

At least one text is released by these three sources. But we have to check, afterwards, if the message has not strong divergences one to others.

Kardec says it's very hard to recognize some authenticity about an alleged spiritual message.

He adviced that we can check if the message is very close to the spirit have being in life.

It's a very hard job, but ingenuous people accept any message attributed to the dead, especially in Brazil, when the "dead person's message" is not vinculated to the real personal aspects, but to the nice content it can bring to the living public.

Brazil was capable to accept, even officially, the Humberto de Campos' fake messages as "authentic", because they brought "christian messages".

The USA is not too ingenuous as Brazil, but cases like Brittany Murphy was so usual.

There's yellow press and gossip industry to feed sensationalism under the pretended "dead person's messages" produced.

And the american alleged mediums has no the great and unbreakable reputation the brazilian alleged mediums like Francisco Candido Xavier (aka Chico Xavier) still have.

However, the case involving Brittany is very serious and worrisome, although involving paranormalists with so much less reputation if compared to the celebrated brazilian alleged mediums.

That's because, depending or not to the reputation, is a frivolous appropriation from a dead individual, with the intention to produce sensationalism, to make people impressed and make fame, money or power to the alleged paranormalists that make this sad job.

And it happens without any possibility to make a serious research about the spirits manifestation.

If it's a strong problem in America, it is very worst in Brazil.

Brazilian Spiritism and the "mediums owners of the dead"

In the USA, alleged messages attributed to the late actress Brittany Murphy - one of the Clueless movie stars - were published.

They're reportedly false, because the content was submitted to the sensationalist sight about her tragedy and made her a prisioner and hostage of her own death, ocurred in 20th december 2009.

The content mention an alleged Brittany Murphy that should be only a "girl who just died" and attached to her routine with her husband, british screenwriter and producer Simon Monjack, dead some months after her.

Alleged psychographies are made everywhere, being fake spiritual messages produced to cause sensationalism and call attention by the people.

But in Brazil it has a surrealistic component.

The alleged brazilian mediums works as they're wishing to be the "owners of the dead".

There's an specific "medium" to a dead personality.

The brazilian rocker Raul Seixas, for example, is "owned" by alleged medium and radio speaker Nelson Moraes, who put the "Zilio" codename to avoid law problems.

Zilio is a character that supposedly send two books: Um Roqueiro no Além (A Rocker After Death) and Há Dez Mil Anos (In Ten Thousand Years Ago).

Zilio doesn't remind the original Raul Seixas' personality, specially in his late years.

Raul Seixas left behind his mysticism, and became to be a ceptic man about the course was taken to Brazil in the end of 1980s.

It's not hard to understand.

Let's listen "Rock'n'Roll" song, co-written and performed with Marcelo Nova, singer and musician famous to be the Camisa de Venus frontman.

Raul was very ironic in that song, showing his corrosive humor against Bossa Nova, hippies and punks and comparing brazilian forro singer Genival Lacerda to Jerry Lee Lewis.

The "spirit" is very different, under the Zilio's codename.

Zilio is a silly regretful rocker that's excessive moralist and brings strange advices like "fight the enemy inside yourself", that Raul Seixas would never say or write.

There's other examples, and Francisco Candido Xavier (aka Chico Xavier) was a pioneer.

Chico Xavier was the pretense "owner" of Humberto de Campos legacy, although the alleged medium should have to adopt the codename "Irmao X" (Brother X) to avoid law complications.

Chico "owned" other authors like the originally non-famous Irma de Castro Rocha - a prematurely dead woman known by her codename "Meimei" - and Jair Present (an also early died engineer and college student), and also the ficticional Andre Luiz.

After Chico Xavier, Zibia Gasparetto "owned" the famous dramaturgist and TV presenter Silveira Sampaio, a popular star from the early-1960's brazilian television.

Divaldo Franco "owned" Joana Angelica, using the codename "Joanna de Angelis". Evidences prove that Joana Angelica's spirit had not worked to Divaldo, and "Joanna" would be the spirit of his obsessor, known just for the name "Mascara de Ferro" (Iron Mask).

A lot of examples used the common names from "non-famous spirits", to avoid law complications for the reason that the alleged mediums had not too popular as Chico Xavier.

The "owner of the dead" tendence goes against the teachings brought by Allan Kardec's legacy.

In The Gospel According to Spiritism, Kardec published, in its first pages, the Universal Control of the Teachings of the Spirits.

The UCTS recommend to check every message allegedly brought by post-grave spirits.

First, the messages must to be given by different mediums, without any relation between themselves and living so far one to others.

The following step is to check that the different messages have the content that would never show a simple contradiction.

The similarity from the messages is not enough, having a small difference that ruined any evidence of probable authenticity.

The extreme mysticism of Zilio is a strong contradiction about the alleged psychography attributed to Raul Seixas.

And the similarity is very grotesque: it reminds to an old mysticism Raul had in the 1970s and make him famous for the songs about it, like "Gita", "Tente Outra Vez", "Há Dez Mil Anos Atrás", "Sociedade Alternativa" and "Prelúdio".

In all the 1980s, Raul Seixas left behind his mysticism, and tried to retake his rock'n'roll roots.

To recognize spiritual messages is very complicated and hard, but in Brazil it became the spree of living people pretending to write messages from the dead.

People accepted comfortably and without questionate every message alleged to a spirit of the dead.

If it brought christian messages - like "Let's pray and unite to the peace with Jesus" - , everybody accepts submissively and without a little bit of mistrust.

It's horrible. People ignored that the original spirits cannot communicate to us, and living people is that really are playing of the dead.

Chico Xavier started the spree, with his self-minded "psychographies".

And that's sad and worrisome that everybody thinks that Spiritism is correctly followed in Brazil. The mistakes are too serious and clear, but nobody is afraid to denunciate it.

Brazilian movie shows a wrong view of Spiritism and Allan Kardec

We must to be careful about Kardec - The Movie (Kardec - O Filme).

This production, directed by Wagner de Assis, is driven by the habitual misrepresentation the Spiritism has in Brazil.

Brazilian Spiritism is a joint of the wheat and the chaff, a mixture of Roustaing's inherited dogmas by Francisco Candido Xavier (aka Chico Xavier) and some Kardec's original lessons.

It's a religious lure, that pretend to be rational but is very emotionally dogmatist.

It's not necessary to point a lot of mistakes about the movie, which has the talented actor Leonardo Medeiros in the role of Lyon's pedagogue Hippolyte Leon Denizard Rivail, aka Allan Kardec.

The director designed to this task, Wagner de Assis, directed Our Home (Nosso Lar), based in a non admitted fictional city from the alleged spiritual world.

It says so much about the impossibility to Kardec - The Movie bring a real approach about the life of Allan Kardec.

This movie also brings a narrative from Rede Globo's soap operas and it harms any chance to realism.

The manichaeism about Catholicism versus Spiritism doesn't help it but complicates the movie very much.

The Brazilian Spiritism is hidden by this approach about Kardec's life, based on brazilian writer Marcel Souto Maior's book, Kardec.

Souto Maior also written a biography of Chico Xavier, that inspired another movie with the late Nelson Xavier playing the title role.

It means that Brazilian Spiritism is very catholicized to get serious the manichaeism about catholics and spiritists.

The Brazilian Spiritism content is very catholic and it makes us to think if "spiritists" want to be "more catholic" than the catholic themselves.

The biographic movie about Allan Kardec can be a collection of half-truths, a very constant habit made by brazilian spiritists.

They say they support the Knowledge principles, but since Chico Xavier the Knowledge is condemned when the critical sense is very deep and strong.

Chico Xavier always preferred the Faith over the Reason, and called "toxic of intellectualism" the practice to develop the Reason that threatens the Faith's axioms.

It's very contrary to Kardec's recommendations, because de french pedagogue always stimulated the critical sense, always inside the principles of Logic and Good Sense.

The real spiritists, that are so far to be influenced by Chico Xavier's catholic beliefs into Brazilian Spiritism, don't need to see Kardec - The Movie.

Don't spend the money to get a ticket to see it or buy a DVD version of it.

Kardec - The Movie must to be forgotten by most of Kardec's followers and the ones to see the movie must to watch it with very critical sense.

We must to be conscient that Kardec - The Movie will show a wrong view of Spiritism and, especially, its Codificator. It's a work by catholicized Brazilian Spiritism.

'Nosso Lar' was a very fictional city and never existed

The known book of Francisco Candido Xavier, aka Chico Xavier, called Nosso Lar (Our Home), describes an alleged spiritual city placed over Rio de Janeiro.

The character Andre Luiz - alleged to have being one of several doctors attributed to be his last incarnation, including Oswaldo Cruz and Carlos Chagas - narrated his drama in this book published in 1943.

The spiritual city of Nosso Lar seems as a fantastic world that would define the book as a mix between the science fiction and fantasy drama.

But the book is considered by brazilian spiritists as a "realistic description of a spiritual world".

However, it's a very worrisome mistake.

There's no research that mentioned how can be a spiritual world and how can be a spiritual life.

After Allan Kardec passed away, in 1869, there's no evidence about the idea that the spiritual world can be similar to the Earth life.

Brazilian spiritists make allegations and pretend to make their own scientific studies about that.

Andre Luiz is an alleged spirit created by Brazilian Spiritist Federation (FEB) to pretend to be a scientist related to Chico Xavier.

It means that some pseudo-scientific books were produced under Andre Luiz's name, to make good sales and create impression to its uncleared readers.

One book tried to make a "scientific study" about Nosso Lar.

The book is called Cidade do Além (Post-Grave City), published in 1983 by Chico Xavier and Heigorina Cunha.

The book is credited to alleged spirits Andre Luiz, by Chico's part, and Lucius, by Heigorina's part.

Lucius can be, probably, the same spirit credited to be Zibia Gasparetto's mentor, although this alleged medium have made an independent work out from brazilian spiritism movement.

Cidade do Além had an alleged map from Nosso Lar and mentions about the supposed spiritual cities existing in Brazil's sky.

The reasonable question about spiritual cities and colonies is that they should be an other material dimension that is not perceived by our terrestrial conditions.

But even this question has no research to bring a hypothesis minimally plausible.

The "scientific studies" inside the brazilian spiritism movement has no value outside.

The real Science has no research that indicates some probability about that.

There's only an especulation and it has done do give scientific appearance to religious beliefs and reveries.

And Nosso Lar, strongly inspired by english book The Life Beyond the Vail, written by british reverend George Vale Owen - published in Brazil by FEB under the title A Vida Além do Véu - , is only made to make the brazilians faith so pretentiously wise.

But it's just fantasy, not reality. It's good to be true that Nosso Lar would be a realistic world. It was made to reinforce childish fantasies hidden inside the adult and older people.